Picasso relationship and Henry Mattis, Picasso and Henry Mattis, Picasso and Henri Matisse collaborate

Picasso and Henry Mattis collaborated:

Picasso and Henry Mattis are one of the most important artists in the 20th century, but their relationship was largely neglected. The painters met in 1901 and became rapid friends. The two were affected by cubism, but they pushed themselves in different ways. Mattis was interested in exploring color and shape. Picasso was interested in exploring his own vision of art. The duo has collaborated in several projects together: "Le Reve" (1906), "Le kiss" (1907), "Le Nain" (1908), "Les Demoiselles d'Igon" (1907-1909), "Two Women at a a a a a a a a a piano (1908), "Alfons de Novil" (1909), "Dancing (La Dance)" (1910), and more.

Picasso and Mattis were friends with over 30 years and the artists cooperated in many projects. The relationship began in 1909 when Picasso still lived in Barcelona, Spain. Mattis was a young artist from France in Barcelona to study with Fernand Legger. They met in a conference, where they discovered that they participated in interests similar to art and literature.

When Picasso returned to Paris, he worked with Mattis on several paintings, including "La Femme au Chapeau" (1912) and "Le Lunch de Bérénice" (1914). After the end of the First World War, Picasso returned to Paris and continued his work with Mattis. They worked together on many projects, notably "the Frogal meal", "The Dejeure on the Ahrbe", "In the Patisserie", "The Master's Lesson" and more.

Picasso and Henry Mattis relationship:

Picasso and Henry Mattis were one of the most influential artists of the 20th century. Their relationship is a wonderful relationship, full of ascent and landing, the two parties appearing in the foreground. During the early years of their friendship, the two young artists who have just reached the center of artistic influence in Paris were. The two were interested in creating new artistic forms and pushing borders, but they also had different objectives for their work. Mattis wanted to make a change in art history, while Picasso focused on making money more than the change in the world. In fact, he could not buy a house for his family in Barcelona (about 90 miles from Paris) until he started selling his paintings.

Picasso and Henry Mattis have a complex relationship. They were competitors, collaborators and friends, they even shared the mistress (Elsa Triolet). They are often described as "the largest painter in the 20th century", although some argue that their contemporaries - Kandinsky, Munsh and Killim must be considered more important.

Picasso was more interested in freedom of expression, while Mattis tried to create his own style that combines cubism and impressionism. Picasso was more interested in experimenting and moving away from traditions, but Mattis tried to make a magnificent and elegant art at the same time. Mattis' work is often compared to the work of another French artist: Paul Cezanne. Cezanne under the direction of Puvis de Chavannes, which helped him develop his own style which contained elements of impressionism and post-impressionist.

Picasso and Henry Mattis Friendship:

One day, Picasso appeared in his friend's studio with a new idea: he wanted to paint Henry's image with blue and orange lines. The idea was so unusual that he surprised Mattis! But he loved immediately, so he sat next to Picasso on the sofa and started painting him in the style of Japanese water drawing. Then things became really interesting: when Mattis drew, he whispered with different ideas in his friend's ear while waiting for dry fabric painting, then Picasso returned home and shoots him on his work! The artists worked together for hours every day until Henry finally wakes up one morning with the idea of a new complete wall painting that Picasso had never seen!

In fact, it was Matisse's art that helped strengthen Picasso's career career, where he watched Mattis' paintings during an exhibition in Paris and immediately started painting like him. V Mattis was the first artist to become a friend of Picasso, who recently left his homeland Spain heading for Paris. Initially, the artists were in competition for the same committees, but over time, they developed mutual respect for each other. During the Second World War, Picasso designed many works based on the paintings of Matisse, including "Three Dancers", which represents three artists from the Ballet Ross.

The artists had many common denominators, who both started drawing landscapes, both who tried the Cuba. However, they also had significant differences. For example, while Mattis tried collage techniques to create new visual ideas (for example, "The Red Studio" from 1909), Picasso preferred to use his own drawing style directly on an existing fabric plate. This has led to differences between the two artists on their working methods. The two men finally met in many projects, including "La Grande Jatte", "Boy leading a horse" and "Portrait of Fernande Olivier". These paintings are creative examples of modern art and have appeared in exhibitions from around the world since their creation almost 100 years ago!

Mattis often came to the Picasso studio during the day, then returned home to draw there at night. They often have lunch together or spent time talking about art. They have been good friends for many years until their various art programs are starting to cause problems in their relationship. Mattis wanted a more classic drawing style; Picasso wanted to stay away from traditional models and create something new. In the end, their differences led to disintegration. However, they have always been close to their lives, although no one fully understands what the other did with regard to art!

Their friendship lasted decades until Mattis' death, and their relationship has experienced fluctuations over the years, but it lasted many years after the First World War until their death in 1957 and 1963, respectively.

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